DJ Khaled’s brand is excess, opulence, and over-the-top enthusiasm. For the better part of two decades, the man born Khaled Khaled has been rounding up as many famous rappers, singers, and producers as he can, piling them onto XXXL pop-rap songs laser-targeted at radio, and shouting various catchphrases on top of them at maximum volume. This sometimes results in pump-you-up classics like “We Takin’ Over” and “I’m On One” and “All I Do Is Win,” modern-day jock jams guaranteed to send your average millennial’s adrenaline surging. In recent years the formula has led to a bloated pantomime of triumphant lavish living — songs that sound the way overpriced liquor bottles in the VIP section probably taste (which I hear is underwhelming, though I can’t speak from experience). Khaled is a blockbuster franchise unto himself: one that keeps roping in more and more impressive names, and one that can’t really descend into self-parody because this man has always been a living caricature.